Ludwig Engländer

Austrian composer and conductor; Born Vienna, 20 October, 1853; died New York, 13 September, 1914

Stage Works

  1. Der Prinz gemahl; Operetta; 3 acts; libretto by Julius Hopp und Bohrmann-Riegen [Heinrich Bohrmann and Julius Nigri von Sankt Albino]; Thalia Theatre, New York 11 April, 1883 (14 perfs): revised as The Prince Consort; Thalia Theatre, New York then transferred to Wallack's Theatre, New York 4 June 1883 (total 26 perfs)

  2. The Seven Ravens; romantic fairy tale; 4 acts, 7 scenes; with C. Lehnhardt; Translated by G.P. Lathorp based on the original German play by Emil Pohl; Niblo's Gardens, New York; 8 Novemberm 1884 (96 perfs)

  3. Madeleine or Die Rose der Champagne; comic operetta; 3 acts; libretto by Carl Hauser; Hamburg 1888

  4. The Passing Show 1894; Musical Revue; 3 acts, 5 scenes; libretto by Sydney Rosenfeld; Casino Theatre, New York; 12 May 1894 (121 perfs)

  5. A Daughter of the Revolution; historical comic opera; libretto by J. Cheever Goodwin; Broadway Theatre, New York; 27 May, 1895 (35 perfs)

  6. The 20th Century Girl; comic opera; 3 acts; libretto by Sydney Rosenfeld; Bijou Theatre, New York; 25 January 1895; revised and reopened 6 May 1895 (total 43 perfs)

  7. The Caliph; comic opera; 3 acts; libretto by Harry B. Smith; Broadway Theatre, New York; 3 September, 1896 (48 perfs)

  8. Half a King; comic opera; 3 acts; libretto by Harry B. Smith;adapted from Le Roi de carreau by Théodore de Lajarte, Albert Vanloo and Eugène Leterrier; Knickerbocker Theatre, New York; 14 September, 1896 (64 perfs)

  9. In Gayest Manhattan, or Around New York in Ninety Minutes; vaudeville; 1 act, 3 scenes; libretto by Harry B. Smith; 2 songs by Matt Woodward; Koster & Bial's Music Hall, New York; 22 March, 1897 (65 perfs)

  10. A Round of Pleasure; revue; 3 acts, 6 scenes; libretto by Sydney Rosenfeld; Knickerbocker Theatre, New York; 24 May, 1897 (42 perfs): Reopened as One Round of Pleasure; 2 acts, 4 scenes; libretto by Sydney Rosenfeld and Clay M. Greene; Knickerbocker Theatre, New York; 23 August, 1897 (14 perfs)

  11. The Little Corporal; comic opera; 3 acts; libretto by Harry B. Smith; Broadway Theatre, New York 19 September, 1898 (76 perfs); German translation as Der kleine Korporal; libretto by Carl Lindau; Theater an der Wein, Vienna, 1900

  12. In Gay Paree; comic opera; 3 acts, 5 scenes; libretto by Clay M. Green; lyrics by Grant Stewart, adapted from a French farce; Casino Theatre, New York 29 April 1899 (42 perfs)

  13. The Man in the Moon; comic opera; 3 acts 7 scenes; with Reginald De Koven and Gustave Kerker; libretto by Louis Harrison and Stanislaus Stange; New York Theatre, New York; 24 April, 1899: revised as The Man In the Moon, Jnr.; 3 October 1899 (192 perfs)

  14. The Rounders; vaudeville; 3 acts 4 scenes; libretto by Harry B. Smith, from Les Fêtards by Victor Roger, Antony Mars and Maurice Hennequin; Casino Theatre, New York; 12 July, 1899 (97 perfs)

  15. The Casino Girl; musical comedy; 3 acts; additional songs by Harry T. MacConnell and Arthur Nevin; libretto by Harry B. Smith; Casino Theatre, New York; 9 June 1900 (105 perfs)

  16. The Cadet Girl; musical comedy' 3 acts, 6 scenes; with Louis Varney; libretto by Harry B Smith; adapetd from Les demoiselles de Saint-Cyriens by Paul Gevault and Victor de Cottens; Herald Square Theatre, Broadway; 25 July, 1900 (48 perfs)

  17. The Monks of Malabar; musical comedy; 3 acts; libretto by J. Cheever Goodwin; Knickerbocker Theatre, New York; 14 September, 1900 (39 perfs)

  18. The Belle of Bohemia; musical comedy; 2 acts 4 scenes; libretto by Harry B. Smith; Casino Theatre, New York; 24 September, 1900 (55 perfs)

  19. The Strollers; musical comedy; Prologue and 2 acts; libretto by Harry B. Smith; adapted from Die Landstreicher by Carl Michael Ziehrer, Ludwig Krenn and Carl Lindau; Knickerbocker Theatre, New York, 24 June, 1901 (70 perfs)

  20. The New Yorkers; musical comedy; 2 acts; libretto by Glen MacDonough; lyrics by George V. Hobart; Herald Square Theatre, New York; 7 October, 1901 (64 perfs)

  21. Sally in Our Alley; musical comedy; 2 acts; libretto by George V. Hobart; Broadway Theatre, New York; 29 August 1902; transferred to New York Theatre 24 November, 1902 (total 92 pers)

  22. The Wild Rose; musical comedy; 2 acts; libretto by Harry B. Smith and George V. Hobart; adapted from The Bohemian Girl; Knickerbocker Theatre, New York; 5 May, 1902 (136 perfs)

  23. The Jewel of Asia; musical comedy; 2 acts; libretto by Frederick Ranken and Harry B. Smith; Criterion Theatre, New York; 16 February, 1903 (64 perfs)

  24. The Office Boy; comedy opera; 2 acts; libretto by Harry B. Smith; adapted from Le Jockey malgré lui by Victor Roger, Paul Gavault and Maurice Ordonneau; Hammerstein's Victoria Theatre, New York; 2 November, 1903 (66 perfs)

  25. A Girl From Dixie; musical comedy; 2 acts, 3 scenes; contributing composer

  26. A Madcap Princess; comedy opera; 3 Acts; libretto by Harry B. Smith; Based on the novel When Knightwood Was in Flower by Charles Major; Knickerbocker Theatre, New York; 5 September, 1904 (48 perfs)

  27. The Two Roses; comedy opera; 2 acts; with Gustave Kerker; libretto by Stanislaus Stange; based on She Stoops to Conquer by Oliver Goldsmith; Broadway Theatre, New York; 21 November, 1904 (29 perfs)

  28. The White Cat; a Drury Lane spectacle; libretto by J. Hickory Wood and Arthur Collins; adapted for the American stage by Harry B. Smith and William Jerome; New Amsterdam Theatre, New York; 2 November, 1905 (46 perfs)

  29. The Rich Mr. Hoggenheimer; musical comedy; 3 acts; (interpolated numbers by Jerome Kern, Paul West, William Jerome & Jean Schwartz; libretto by Harry B. Smith; Wallack's Theatre, New York; 22 October, 1906 (187 perfs)

  30. The Gay White Way; revue; 3 acts; libretto by Sydney Rosenfeld und J. Clarence Harvey; Casino Theatre, New York; 7 October, 1907 (105 perfs)

  31. Miss Innocence; musical comedy; 2 acts, 8 scenes; interpolated songs various composers; libretto by Harry B. Smith; New York Theatre, New York; 30 November, 1908 (176 perfs)

  32. Vielliebchen; Operetta; 3 acts; libretto by Rudolf Österreicher and Carl Lindau; Theater an der Wein, Vienna 1911

  33. Kittys Ehemänner; Operetta; 1 Act; libretto by Emil Kolberg and Fritz Lunzer; Wien 1912

  34. Madame Moselle; musical comedy; 3 acts; (interpolated song "If I Should Love My Only Girl" by W. P. Chase) libretto by Edward A. Paulton, from the french play by Max Moeller; Sam S Shubert Theatre, New York; 23 May, 1914